All the Slades in today's installment of the blog but first up, an unsteady Marxman...
Sunday, October 4th, 1959
7.35pm: Showtime with Chico Marx (BBC Television)
"David Nixon introduces Showtime with Chico Marx making his first appearance on British Television; Eve Boswell the South African singing star and Mata and Hari, America's most sensational comedy dance team with Stanley Unwin, The Television Toppers, The George Mitchell Singers and the Orchestra."
In 1959, it had been ten long years since the Marx Brothers last headlining film, the god awful "Love Happy", which had been meant for just Harpo before a heavily in-debt Chico was stuck in alongside an uneasy Groucho. Ten years later, things were clearly not much better as this wobbly but amazingly still-existing appearance on the BBC's popular variety show, just two years before his death in October 1961 aged 74, shows. Who knew that Chico needed the money...?
Friday, October 4th, 1963
10.15pm: The Strange World Of Gurney Slade (most ITV regions)
One of the most original, unusual and fascinating sitcoms ever made, Gurney Slade, played by Anthony Newley (you know, from the Garbage Pail Kids Movie), is the bored star of a sitcom who decides in episode one to walk out and find something better to do. Viewers, used to Newley's light pop career and more traditional variety turns, had been thrown in 1960 by this surreal, droll comedy which was moved from half 8 to half 11 after two episodes aired so its a surprise to see this repeat run crop up in 1963 although Newley having co-written (with Leslie Bricusse) the Broadway hit "Stop The World - I Want To Get Off" might have helped. The same month also saw Newley return to the chart with the hit comedy album "Fool Britannia" recorded with Peter Sellers and his then-wife Joan Collins sending up the extremely topical Profumo Affair. [Listen to it on Spotify here.]
This was episode five which features Gurney reading a lengthy folk tale to a group of chidlren before they're intruded upon by a worse-for-wear Bernie Winters being propositioned by Maureen Connell. Its probably the dullest of six truly magnificent half hours and still ends with a battle inside Gurney's mind with a magical tinker and an evil version of himself. Whether the three years had given viewers chance to catch up to Slade and Newley is unsure but its a huge stepping stone to the works of Cook and Moore, Python and lots of quirky British comedies that followed, not to mention some bloke called Bowie...
Thursday, October 4th, 1973
7.00pm: Top of the Pops (BBC One)
"An extra special edition of Top of the Pops to celebrate its 500th birthday featuring this week's chart successes and surprise guest appearances from the international world of pop."
Nine and a bit years after launching, The Toppermost Of The Poppermost reaches a very important milestone. And no, of course you cant watch it because its presented by that horrible old fucker. Pause for a joke about Noel Edmonds. Sadly, the cigar chomping, fright-wigged Fix It pederast is all over the episode so its perhaps a mercy that most of it seems to be lost, although some section remain in black and white such as this Who appearance. A few of the inserts have made it to YouTube though including this message from Slade (not Gurney) who were in the middle of a US tour trying in vain to convince the Americans that they shouldn't wait until 1983 for "Cum On Feel The Noize" to be a hit.
Interesting to note the band singing Happy Birthday to the tune of "We Wish You A Merry Christmas" and saying they'll be back soon as one of the tracks recorded during that American trip would be released in December and become somewhat associated with the festive season...
Thursday, October 4th, 1984
8.30pm: Looks Familiar (Channel 4)
A smashing line up for a showing of Denis Norden's gentle "Do you remember things?" panel game. When Denis died earlier this year there was a wonderful outpouring of genuine warmth of the sort he himself encapsulated as the host of programmes like these. "Looks Familiar" had been a long running series for Thames TV before ITV decided that some old people talking about some old things wasn't for them anymore, at which point dynamic young upstarts Channel 4 said "Oh we'll have it then!" And thus it continued until 1987 there.
Showing posts with label Top Of The Pops. Show all posts
Showing posts with label Top Of The Pops. Show all posts
Thursday, 4 October 2018
Wednesday, 31 May 2017
Some Days In The Life: What We Did While Sgt Pepper Taught The Band To Play
On the 1st June 1967, The Beatles Band released "Sgt Pepper's Lonely Hearts Club Band".
At least I think....
There's great confusion it seems as to when exactly the album came out with the official date of 1st June in the UK (2nd in US) undercut by claims it was released a week earlier in various online places, including that stout bastion of fact, Wikipedia. This seems borne out in part by the fact the Official Charts have it entering the top 10 at number 8 before reaching the top the following week.
Back then, the charts were a very odd thing with stockists unwilling to wait and a several day delay while the results were seemingly decided upon by wherever a pigeon sat in Borehamwood. And thus it was that on two days' official sales, "Sgt Pepper's Lonely Hearts Club Band" entered a top 10 album list with Tom Jones, The Dubliners, Jimi Hendrix Experience, James Last and, bolstered by regular appearances on Saturday teatimes, two records by The Monkees at numbers 2 and 7. Add in to that the soundtracks to "The Sound Of Music" and "Fiddler On The Roof", just ahead of Herb Alpert, The Seekers, the murder-eyed "Secombe's Personal Choice" and the wonderfully titled Geno Washington record "Hand Clappin' Foot Stompin' Funky-Butt...LIVE!" and its quite an intriguing mix.
But what kind of world was it about to be unleashed upon? Was the universe holding its collective particulars in dripping anticipation at this new record? Were the sixties about to actually start anywhere outside of London? There's no doubt at all that pop fans were clamouring for it, trousers whetted by the double A-side of "Strawberry Fields Forever" and "Penny Lane" released in February 1967 but elsewhere, was it business as usual?
"Sgt Pepper" was officially given a launch by a bunch of very hairy Beatles at their manager Brian Epstein's house on Friday 19th May 1967 (tragically, Epstein would be dead barely three months later effectively triggering the slow inevitable break up of the band) and the following day was previewed on the BBC Light Programme's - no Radio 1 until September that year - "Where Its At" slot at 4pm by future sex offender Chris Denning linking to pre-recorded interviews done by the band's favourite disky jock Kenny Everett. All the tracks would be played in part, except for "A Day In The Life" which the BBC banned due to it all being about them drugs and that. Or as the BBC’s director of sound broadcasting, Frank Gillard put it in a letter to EMI:
Naturally Lennon and McCartney were quick to disagree, stating "It’s only about a dream" but then they were whazzed out on goo goo spliffs so anything they have to say should naturally be dismissed and burnt in a giant fire made out of unsold copies of Ringo's Rotogravure.
That said, a recording of "Where Its At" made at the time by a fan features "A Day In The Life" prominently at one point so I figured I'd ask Tim Worthington, Beatles knowlege and author of the essential Radio 1 comedy book "Fun At One" why this might have been... "Fuck knows". Thanks Tim! And you can buy his book here!
Beatle fans who also liked football would have been in a quandry as simultaneous to "Where It's At" was that year's FA Cup Final featuring a London derby in which Chelsea lost 2-1 - something which feels very familiar in 2017. (What? If they will insist on playing before Doctor Who I'll learn these things!) "The" Spurs would emerge victorious with a team including Terry Venables, Jimmy Greaves and "Nice One" Cyril Knowles.
Some consolation might have come from that man Everett again, who was appearing on the episode of "Juke Box Jury" immediately after the footer, before Doctor Who learnt all about "The Evil Of The Daleks" in an episode almost entirely gone from the archives (thanks for NOTHING, Beatles!) Quite by chance, episode one of the serial featured the characters in a coffee bar where the jukebox plays...yes, you guessed it...The Seekers!!! Also: Beatles. Unsurprisingly this background blast of "Paperback Writer" was removed from audio releases of the story due to rights and replaced by Dave Dee, Dozy, Beaky, Mick & Tich. As you do.
Outside of Beatledom, music was all over the small screen during this period with British pop dominating the world and, that year, Eurovision as Sandie Shaw grimaced through "Puppet On A String" in April 1967 to win the contest with over double the votes of its nearest rival. Plus "Grief And Glory" a BBC new folk song competition (Sunday, 6:15pm, BBC1), Southern TV's very short lived pop show "As You Like It" had Peter & Gordon, Zoot Money and Anita Harris (mostly Tuesday 7pm, ITV), "Jazz From A Swinging Era" (Thursday, 8:05pm, BBC2) and of course Top Of The Pops which on June 1st was hosted by Pete Murray and featured performances from The Kinks (Waterloo Sunset), The New Vaudeville Band (Finchley Central), P.P. Arnold (The First Cut Is The Deepest) and The Small Faces (Here Comes The Nice) along with "The Gojos" dancing along to Arthur Conley's Northern Soul classic "Sweet Soul Music".
In almost indecent speed, and a year before Joe Cocker got his mitts on it, the following week's edition (hosted by the scrawny jangling old bastard) would feature The Young Idea covering "With A Little Help From My Friends". Read more on the excellent Left and To The Back here.
Elsewhere on telly, Coronation Street, No Hiding Place, The Black and White Minstrel Show and Take Your Pick were the nation's favourites whilst at the cinema James Bond fans were caught between two releases when the spoof "Casino Royale" was still making the rounds as "You Only Live Twice", scripted by Roald Dahl, premièred in London on the 12th June 1967. Add in James Coburn's similarly Bond-baiting comedy "In Like Flynn" released around the same time and The Beatles could've had hours of spy-based fun at the pictures if they were after some respite from their recent release of one of the most genre defining recordings of a generation. And that.
Whether the Fabulous Four's influence or not, Britain was slowly changing and taking the world along with it with May 1967 seeing Harold Wilson's government apply for EEC membership moving us close to the Europe we should still be a part of. When Sir Francis Chichester returned from solo circumnavigating the globe after 226 days of sailing on May 28th 1967, you can only begin to his response to the country he left behind - he still thought the new Beatles album was "Revolver"! Oh Sir Francis, you Beatles idiot!
So ultimately, did "Sgt Pepper" change anything? Who knows? We didn’t get the sixties until about 1978 here in the North of England. But when your great great great granny who hadn't bought a record since Mantovani died can tell you all all about it, dogs across the country still go bat shit every time "A Day In The Life" finishes and magazines still openly rip off the cover every other month as if its a clever or original idea to do, there'll always be someone teaching the band to play...
At least I think....
There's great confusion it seems as to when exactly the album came out with the official date of 1st June in the UK (2nd in US) undercut by claims it was released a week earlier in various online places, including that stout bastion of fact, Wikipedia. This seems borne out in part by the fact the Official Charts have it entering the top 10 at number 8 before reaching the top the following week.
Back then, the charts were a very odd thing with stockists unwilling to wait and a several day delay while the results were seemingly decided upon by wherever a pigeon sat in Borehamwood. And thus it was that on two days' official sales, "Sgt Pepper's Lonely Hearts Club Band" entered a top 10 album list with Tom Jones, The Dubliners, Jimi Hendrix Experience, James Last and, bolstered by regular appearances on Saturday teatimes, two records by The Monkees at numbers 2 and 7. Add in to that the soundtracks to "The Sound Of Music" and "Fiddler On The Roof", just ahead of Herb Alpert, The Seekers, the murder-eyed "Secombe's Personal Choice" and the wonderfully titled Geno Washington record "Hand Clappin' Foot Stompin' Funky-Butt...LIVE!" and its quite an intriguing mix.
But what kind of world was it about to be unleashed upon? Was the universe holding its collective particulars in dripping anticipation at this new record? Were the sixties about to actually start anywhere outside of London? There's no doubt at all that pop fans were clamouring for it, trousers whetted by the double A-side of "Strawberry Fields Forever" and "Penny Lane" released in February 1967 but elsewhere, was it business as usual?
"Sgt Pepper" was officially given a launch by a bunch of very hairy Beatles at their manager Brian Epstein's house on Friday 19th May 1967 (tragically, Epstein would be dead barely three months later effectively triggering the slow inevitable break up of the band) and the following day was previewed on the BBC Light Programme's - no Radio 1 until September that year - "Where Its At" slot at 4pm by future sex offender Chris Denning linking to pre-recorded interviews done by the band's favourite disky jock Kenny Everett. All the tracks would be played in part, except for "A Day In The Life" which the BBC banned due to it all being about them drugs and that. Or as the BBC’s director of sound broadcasting, Frank Gillard put it in a letter to EMI:
Naturally Lennon and McCartney were quick to disagree, stating "It’s only about a dream" but then they were whazzed out on goo goo spliffs so anything they have to say should naturally be dismissed and burnt in a giant fire made out of unsold copies of Ringo's Rotogravure.
That said, a recording of "Where Its At" made at the time by a fan features "A Day In The Life" prominently at one point so I figured I'd ask Tim Worthington, Beatles knowlege and author of the essential Radio 1 comedy book "Fun At One" why this might have been... "Fuck knows". Thanks Tim! And you can buy his book here!
Beatle fans who also liked football would have been in a quandry as simultaneous to "Where It's At" was that year's FA Cup Final featuring a London derby in which Chelsea lost 2-1 - something which feels very familiar in 2017. (What? If they will insist on playing before Doctor Who I'll learn these things!) "The" Spurs would emerge victorious with a team including Terry Venables, Jimmy Greaves and "Nice One" Cyril Knowles.
Some consolation might have come from that man Everett again, who was appearing on the episode of "Juke Box Jury" immediately after the footer, before Doctor Who learnt all about "The Evil Of The Daleks" in an episode almost entirely gone from the archives (thanks for NOTHING, Beatles!) Quite by chance, episode one of the serial featured the characters in a coffee bar where the jukebox plays...yes, you guessed it...The Seekers!!! Also: Beatles. Unsurprisingly this background blast of "Paperback Writer" was removed from audio releases of the story due to rights and replaced by Dave Dee, Dozy, Beaky, Mick & Tich. As you do.
Outside of Beatledom, music was all over the small screen during this period with British pop dominating the world and, that year, Eurovision as Sandie Shaw grimaced through "Puppet On A String" in April 1967 to win the contest with over double the votes of its nearest rival. Plus "Grief And Glory" a BBC new folk song competition (Sunday, 6:15pm, BBC1), Southern TV's very short lived pop show "As You Like It" had Peter & Gordon, Zoot Money and Anita Harris (mostly Tuesday 7pm, ITV), "Jazz From A Swinging Era" (Thursday, 8:05pm, BBC2) and of course Top Of The Pops which on June 1st was hosted by Pete Murray and featured performances from The Kinks (Waterloo Sunset), The New Vaudeville Band (Finchley Central), P.P. Arnold (The First Cut Is The Deepest) and The Small Faces (Here Comes The Nice) along with "The Gojos" dancing along to Arthur Conley's Northern Soul classic "Sweet Soul Music".
In almost indecent speed, and a year before Joe Cocker got his mitts on it, the following week's edition (hosted by the scrawny jangling old bastard) would feature The Young Idea covering "With A Little Help From My Friends". Read more on the excellent Left and To The Back here.
Elsewhere on telly, Coronation Street, No Hiding Place, The Black and White Minstrel Show and Take Your Pick were the nation's favourites whilst at the cinema James Bond fans were caught between two releases when the spoof "Casino Royale" was still making the rounds as "You Only Live Twice", scripted by Roald Dahl, premièred in London on the 12th June 1967. Add in James Coburn's similarly Bond-baiting comedy "In Like Flynn" released around the same time and The Beatles could've had hours of spy-based fun at the pictures if they were after some respite from their recent release of one of the most genre defining recordings of a generation. And that.
Whether the Fabulous Four's influence or not, Britain was slowly changing and taking the world along with it with May 1967 seeing Harold Wilson's government apply for EEC membership moving us close to the Europe we should still be a part of. When Sir Francis Chichester returned from solo circumnavigating the globe after 226 days of sailing on May 28th 1967, you can only begin to his response to the country he left behind - he still thought the new Beatles album was "Revolver"! Oh Sir Francis, you Beatles idiot!
So ultimately, did "Sgt Pepper" change anything? Who knows? We didn’t get the sixties until about 1978 here in the North of England. But when your great great great granny who hadn't bought a record since Mantovani died can tell you all all about it, dogs across the country still go bat shit every time "A Day In The Life" finishes and magazines still openly rip off the cover every other month as if its a clever or original idea to do, there'll always be someone teaching the band to play...
![]() |
| Image courtesy of Darrell Maclaine-Jones, bona fide Beatlesman and genius. |
Tuesday, 19 July 2016
Spice Up Your Girls!
Today is a proud day in British history.
Many achievements have been fought for and won throughout the centuries but the world never looked at us with such respect and admiration as this very date twenty years ago when the following epoch shattering moment occurred...
I can still remember where I was, although for decency I'll spare you what I was doing. Being a indie kid I should've loathed the Spices and all the gooey, hugging pure pop they stood for and yet, despite fancying them rotten, I couldn't help but be swept away by the sheer joy of the singles which would only get better and better throughout the next 18 months. When contrasted to the dreary post-Britpop indie fallout of the time, its easy to see why the nation embraced them with such love and inappropriate touching.
But it wasn't all Spice Spice Spice in the 90s, no ma'am, as some of the greatest pop of the decade had been performed by girl groups. Along with a load of old forgotten shite like Girl Thing, Girls@Play and Girly Girl Girlingtons Group (although I may have just made that one up). I wont have a bad word said about 21st Century Girls, mind who were bloody great fun.
Now I know what, you're all thinking, "Wot? No Buffalo G?" to which I say YES BUFFALO G!
Many achievements have been fought for and won throughout the centuries but the world never looked at us with such respect and admiration as this very date twenty years ago when the following epoch shattering moment occurred...
I can still remember where I was, although for decency I'll spare you what I was doing. Being a indie kid I should've loathed the Spices and all the gooey, hugging pure pop they stood for and yet, despite fancying them rotten, I couldn't help but be swept away by the sheer joy of the singles which would only get better and better throughout the next 18 months. When contrasted to the dreary post-Britpop indie fallout of the time, its easy to see why the nation embraced them with such love and inappropriate touching.
But it wasn't all Spice Spice Spice in the 90s, no ma'am, as some of the greatest pop of the decade had been performed by girl groups. Along with a load of old forgotten shite like Girl Thing, Girls@Play and Girly Girl Girlingtons Group (although I may have just made that one up). I wont have a bad word said about 21st Century Girls, mind who were bloody great fun.
Now I know what, you're all thinking, "Wot? No Buffalo G?" to which I say YES BUFFALO G!
We shall never see their like again...
Subscribe to:
Posts (Atom)








